You’ve won a lot of Grammys.
“[My Beautiful] Dark [Twisted] Fantasy” and “Watch the Throne”: neither was nominated for Album of the Year, and I made both of those in one year. I don’t know if this is statistically right, but I’m assuming I have the most Grammys of anyone my age, but I haven’t won one against a white person.But the thing is, I don’t care about the Grammys; I just would like for the statistics to be more accurate.
On “Throne,” who’s in a darker mood on that record, you or Jay-Z?
I’m always the one that’s in a darker mood. And then also there was still a thing where I didn’t feel comfortable, you know, going out on tour, the this, the that — all that by myself, yet. Like, I needed—
On “Keeping Up With the Kardashians,” there’s a really affectionate scene where you go and help Kim sort through her clothes.
That was from a place of love. It’s hard when people read things in a lot of different ways. You know, the amount of backlash I got from it is when I decided to not be on the show anymore. And it’s not that I have an issue with the show; I just have an issue with the amount of backlash that I get. Because I just see like, an amazing person that I’m in love with that I want to help.
Continued after the jump.
On this album, the way that it emphasizes bass and texture, you’re privileging the body, and that’s not snobby.
Yeah, it’s like trap and drill and house. I knew that I wanted to have a deep Chicago influence on this album, and I would listen to like, old Chicago house. I think that even “Black Skinhead” could border on house, “On Sight” sounds like acid house, and then “I Am a God” obviously sounds, like, super house.
Respect my trendsetting.
Yeah, respect my trendsetting abilities. Once that happens, everyone wins. The world wins; fresh kids win; creatives win; the company wins.
I think what Kanye West is going to mean is something similar to what Steve Jobs means. I am undoubtedly, you know, Steve of Internet, downtown, fashion, culture. Period. By a long jump. I honestly feel that because Steve has passed, you know, it’s like when Biggie passed and Jay-Z was allowed to become Jay-Z.
I’ve been connected to the most culturally important albums of the past four years, the most influential artists of the past ten years. You have like, Steve Jobs, Walt Disney, Henry Ford, Howard Hughes, Nicolas Ghesquière, Anna Wintour, David Stern.
I think that’s a responsibility that I have, to push possibilities, to show people: “This is the level that things could be at.” So when you get something that has the name Kanye West on it, it’s supposed to be pushing the furthest possibilities. I will be the leader of a company that ends up being worth billions of dollars, because I got the answers. I understand culture. I am the nucleus.
—Blood On The Leaves
Kanye West - Blood On The Leaves